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Tuesday, July 21, 2020 | History

1 edition of Re-framing the theatrical found in the catalog.

Re-framing the theatrical

Alison Oddey

Re-framing the theatrical

interdisciplinary landscapes for performance

by Alison Oddey

  • 196 Want to read
  • 12 Currently reading

Published by Palgrave Macmillan in Basingstoke [England], New York .
Written in English

    Subjects:
  • Performing arts,
  • Philosophy

  • About the Edition

    Alison Oddey takes us on a spectator"s journey, engaging with art forms that cross boundaries of categorisation. She examines how these cross-art forms provoke a solo spectator-protagonist, and how the work becomes meditative and spiritual. In questioning the role of the spectator and the director, Oddey considers how a re-thinking and reclaiming of physical and artistic forms has contributed to a new kind of making theatre-art, searching for space and contemplation in a hectic twenty-first-century landscape. Highlighting the work of director Deborah Warner and of artists Heather Ackroyd, Dan Harvey and Graeme Miller, Oddey provocatively demonstrates the spectator as centre of the artistic experience, in an exciting and innovative analysis of the many changes taking place in contemporary performance.

    Edition Notes

    StatementAlison Oddey
    ContributionsPalgrave Connect (Online service)
    Classifications
    LC ClassificationsPN1584 .O33 2007eb
    The Physical Object
    Format[electronic resource] :
    Paginationxii, 251 p. :
    Number of Pages251
    ID Numbers
    Open LibraryOL25568306M
    ISBN 100230590721
    ISBN 109780230590724
    OCLC/WorldCa314794401

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Re-Framing the Theatrical: Interdisciplinary Landscapes for Performance by A. Oddey. Oddey questions the role of the spectator and director, and the nature of art works and performance. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic twenty.

'Alison Oddey - a highly regarded performance scholar - broke new ground with her first book on devising for theatre. In this latest intervention, Re-Framing the Theatrical, she makes some radical claims about performance, discussing spirituality, silence in performance, and the emergence of the spectator as performer-protagonist: key themes in contemporary practice and emerging theory.'.

Oddey questions the role of the spectator and director, and the nature of art works and performance. She provocatively demonstrates the spectator as centre of the artistic experience, a new kind of making theatre-art, revealing its spirit and nature; searching for space and contemplation in a hectic twenty-first century landscape.

James Frieze is the author of Naming Theatre: Demonstrative Diagnosis in Performance () and essays on contemporary performance in various journals and collections. Senior Lecturer in Drama at Liverpool John Moores University, UK, his teaching and production work focusses on devising, improvisation, and contemporary : James Frieze.

James Frieze is the author of Naming Theatre: Demonstrative Diagnosis in Performance () and essays on contemporary performance in various journals and collections.

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